Long ago I mentioned having some tuning tables laying about. The ones I
include here haven't been made .utn yet because I made them before I had
Morphedit. I will do them all, and some new ones, in .utn when I get a
chance to run them back thru Morpheus into Morphedit. For now they are .syx .

You wondered at the time, why do alternate tunings? The most common reason
would be to more authentically get the sound of certain acoustic
instruments of mostly nonWestern cultures.But also if you do pipe organs
you find that equal temperament doesn't suit them: the discrepancies
between harmonically perfect overtones and e.t. intervals can cause some
howling wolf notes!

Some 20th Century composers worked out equal tempered microtonal scales.
Harry Partch's is 43 to the octave. For some reason the most useful ones
fall into the formula:  7 + (12 x n)  per octave.  Wendy (frmr Walter)
Carlos used the acoustic third or fifth instead of the octave for a
reference. One of them just happens to be 50/64 s.t. per step, pretty handy!

Anyway I'll attach what I've got and maybe you could make them available
under Patches on the Pole? Freely got and freely given...mn

PS they are 17-tone Arabic, 24-tone Arabic, Pythagorean-C, Quarter Tone,
and Reverse ET(for when the party starts to run down)PPS! included same as
.utn